The Weekly Wine for April 11, 2016

 

Ghost Pines Cabernet 2012,13,and 14.  Yes I am presenting all three.  This is a supermarket wine that I really like.  It is a top end everyday wine or a lower end high priced wine with a price point of $25.00 retail, $17.50 at discount and $35.00 to $40.00 In most local restaurants.  I find it one of the better values for a restaurant wine as the mark up is generally much lower than some similar wines.   This wine is part of the Louis Martini family of wines and I would even venture to call it a  semi-craft wine.

I have no Label Photo for this weekly wine as I consumed the 2014 at a restaurant and simply forgot to pull the label of take the bottle home.  In any case I’ve been drinking this wine for at least three years and have tasting notes going back three years.  It is without question the most vintage (year to year) consistent wine I’ve seen from a production shop that I consider worth drinking.  You can find my tasting notes for the 2012 vintage in my wine reviews.  If you can find it buy it and let me know what you think.

Posted in Cabernet Sauvignon, Louis Martini, Red Wine, Varietals, Wine Buying, Wine Tasting | Tagged , , , , , | 2 Comments

Restaurant Wine Prices: They’re Either Too High or Too Low

I’ve reblogged a couple of Mike’s pieces before. I just find them incredibly well written, completely thought out and generally very informative. This one comes your way with double kudos (1) I learned (or at least relearned) a lot about price elastic as regards wines, and (2) The comments about the post (go to his blog directly to read them) tell us a lot about the subject and even more about the issues in todays restaurant retail market. Enjoy this piece from the Wine Economist himself — Mike Veseth.

Mike Veseth's avatarThe Wine Economist

homskrimThe final panel discussion at this year’s  Professional Wine Writers’ Symposium in the Napa Valley was devoted to restaurant wine lists (students from the Culinary Institute of America’s wine program attended along with the wine writers). “Wine List: Friend or Foe?” was the topic and New York Times critic Eric Asimov was the moderator.

Bottle Shock

There was a lot to talk about because everyone seems to have an opinion or a pet peeve about restaurant wine, but time was limited and when I saw one of the panelists, Andrea Robinson, shortly after she smiled and struck a “wine economist” chord: “I wish we could have talked about price elasticity of demand,” she said.

Price elasticity of demand? Yes! That is how we economists talk about how consumers respond to the prices of different products and it is a fascinating question when it comes to restaurant wine.

The wine world knows Andrea…

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For the Love of Very Dry White Wine

This post comes under the classification of: flashback, fond memory, or senility, you decide.  As I read through some wine blog comments and replies last night one of them mentioned that they wished there were more really dry (less sweet and/or fruity) white wines out there.  All of a sudden it brought to mind a memory of that period in my wine life when I loved nothing but dry (whatever that word means) wine of any stripe.

It’s the early 1990’s and I am attending a workshop on  finding a balance between your personal life and work (I believe it called it “personal development”).  It was three days long and we spent day and night (except when sleeping) with each other in a very intense and introspective exercise.  I believe there were 10 0r 12 of us with no two from the same profession or industry.  By the way I really learned a lot about myself and personal interactions from the program but that’s not the point of this story.

At dinner the first night I was seated next to a nice gentleman (a little older than me) who introduced himself  as the Controller of Mirassou Wines. Given my love of wine and his occupation wine dominated our conversation for the evening.  Sometime in the conversation it turned to the topic of white wine and I boldly asserted that I only liked really  dry white wine and he gave me a lesson on white wine characteristic and the differences between fruit and sweet.  the evening ended at a reasonable hour and the next morning we hit the program bright and early not to discussion wine again.  After the course ended, we all went our separate ways, but not before exchanging  business cards so we could keep in touch if we liked.

Flash forward about a month, I am sitting in my office and in walks my secretary with a package wrapped in brown paper with no return address.  I opened it and found a personal note card from my acquaintance from Mirassou Winery.  The card read: 

“As I told you that night at dinner finding a really dry white wine is not easy, but you are in luck.  The Mirassou  cellar just happened to have one bottle of an exceptionally dry white wine and I snagged it for you.  Enjoy and let know what you think.” 

Well in my excitement, I literally tore open the box to find a bottle with a very fancy Mirassou Winery Winery label that read – 1973 Vintage, Mirassou Special Reserve, Exceptionally Dry White Wine. The cork was foil sealed with a matching Mirassou crest.  It was a stunning.

The rest of the story – The wine was as dry as they come.  He had the Mirassou bottling line create this special gift of a custom labeled bottle full of absolutely nothing but air.  He was right they don’t come any dryer than that.

Posted in Hodgpodge, Whimsy, Wine, Wines, Words | Tagged , , | 3 Comments

IT’S Back!! –The Weekly Wine for April 4, 2013

The WW has been AWOL for a while, but a worthy selection came from the depths of my cellar to take the challenge. Tim Olson’s “The Cooper’s Art” Sarah – Dry Creek Valley, 2012. When I bought this wine I thought it was fabulous, but I loved it’s potential more than I loved the wine at the time.  Tim makes wine in a classic style and they require age to show their true colors.  This wine was no exception and it has really grown up since I cellared it in IMG_20160404_1115092013.  A rather uncharacteristic Sarah, it presents with great Sarah nose and palate, but has the body of a big Bordeaux or a well aged Cab.

Tim makes wine in small batches and accordingly his fans snap them up as soon as they release to the market. They (all except his whites) require patience to fully appreciate them,  If you drink them young, you must decant them for at least two hours.  When I first bought this wine I thought it so tight, that I actually left a remaining half bottle open overnight and the next day to see what would happen.  The result – a much more open and pleasing wine loaded with potential for development with aging.  I have a detailed review of this wine the year I bought it (unfortunately I act access it at the moment but I’ll try to find it and add it later) and I just did another.  You can check the current one out in the wine reviews section of Poor Robert’s.  I sadly will note that Tim’s 2014 vintage is already sold out, but be patient, he will have another gem next year.  Be sure to get it early and get a supply or you will be left at the Altar as many found themselves this year.

 

Posted in Craft Wines, Sarah, Tim Olsen, Wine, Wine Making, Winemakers, Wines | Tagged , , , , , , | 4 Comments

Everything is on the Table

In the summer I enjoy sitting on our front porch sipping a cool white wine and gazing at the mountains to the south.  I find it a very pleasant way to enjoy a week-end day and avoid the sweltering heat.  We’ve had a table in this spot since we built the house (years ago — 1976) but the table top (top left background) finally gave way to old age as we all will.  I decided to save the table and just build a new top (center in focus). Table TopThe interesting thing about the new top; I constructed it entirely out of scrap decking material – Epee, a South American Teak substitute that is sustainably produced.  I will never use Epee again for a project like this. It is extremely hard (eats saw blades) and hard to work with, its dust is toxic and it weighs a ton.  That said, the price was right (cost of a bottle of exterior wood glue).

Posted in Barware, Craft Furniture, Epee, Hodgpodge, Whimsy | Tagged , , | 4 Comments

Life Observed Through the Bottom of a Wine Bottle

We’ve all heard the phrase “looking at the world through the bottom of a bottle”.  Well I did just that and had to be stone cold sober to pull it off.

Life through a bottle

I’ve been having some fun lately using empty wine bottles, cut to fit over the lens of my Cannon Digital SLR.  It’s amazing what different effects you can get using bottles of different colors with different lenses and different depths of field.  I shot this one however with my smart phone camera simply staring down the neck of the bottle.

Posted in Hodgpodge, Life Balance, Whimsy, Wine Glasses, Wine Photos | Tagged , , , | 8 Comments

Craft Wine? Craft Beer’s Innovation Edge (and What Wine Can Do About It)

A year or so ago I did a post on Craft vs. Production Wines, but didn’t give Craft Beer a thought. The Wine Economist (Mike Veseth) just produced an absolutely outstanding post setting Craft Wine against Craft Beer. It is a must read for those interested in more than the taste of wine. The economics of both industries have different origins focused mostly on the cooperative nature of the Craft Beer business and the competitive advantage aspect of the Craft Wine Business. The Advent of Club W and NakedWines distribution and There winemakers collaboration models changed the wine side for some, but not all Craft Wine producers.

Enjoy this piece and definitely give Mikes’ blog a serious look.

Mike Veseth's avatarThe Wine Economist

battlePeople in the wine business tend to look at each other and see rivals like in the old Mad Magazine Spy vs Spy comic strip. In the battle for shelf space, consumer attention or critical praise, it usually seems like it is wine versus wine.

But hardly anyone lives by wine alone and these days the biggest competition is often less from other wineries (or wine regions) than from other products like craft beer, craft cider and craft spirits that have captured consumer imaginations. The battle for shelf space is real, but its not the only battle.

Keys to Craft Beer’s Success

Craft beer in particular has enjoyed great success in recent years and many of us see the unexpected fall in demand for wines priced at $8 per bottle and below here in the United States as one consequence of the craft beer boom.

Craft beer has many advantages. The…

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Writers Block for a Wine Reviewer

Writers block comes in a number of forms for serious writers.  It can be lack of ideas, stress, being unhappy with ones writing, or a lack of  validation (self mostly).  For a wine reviewer there can be another reason, wine failure.  By this I don’t mean really bad,horrid wines but going down a tasting road that simply doesn’t warrant writing about.  That’s where you will find me at the moment.  I am not finding a lot of wine that I find interesting enough to want to write about.

At the moment I am forcing myself to write and post simply because I owe it to myself to keep the tools sharp and to my readers to keep them in the loop.  A while back I got a reply from one of my good friends, Jeff,  who I’ve known on-line for, I guess at least two years, reminding me that I was getting tunnel vision and focusing too much of my reviewing on NakedWines.com wine (which I pretty universally like) and not reaching out into the market place to sources where “non-NakedWine angels could access the wine.  Ironically Jeff and I met through our association with NakedWines, but I took his observations to heart.  His point, after all, hit the mark spot on; I needed some diversity to keep my reviews relevant.  So off I trudged to my wine cellar, the wine shops I frequent, the supermarket and let us not forget the Web, to see what I could find that gave me the latitude to broaden my scope and appeal to a broader audience.

My cellar yielded a few gems which due to age would be a bit pricy, the Web,  several cases (some still a bit young), and the retail wine sources a few but none that really excited my creative juices.  I write for readers who are not now, nor likely to become, wine tasting judges, or even significant collectors of really great wines.  As one of my readers described herself “I am a Grapist”, one who knows only that she likes wine occasionally and can tell the difference between a red and a white, but not a lot more.  She represents my quintessential reader, the one I  want to write for.  I want Poor Robert’s to be a fun place for Grapists, and those who know a little more about wine and their personal taste to have some fun and hopefully learn a little, in non-intimidating terms, about the world of wine, wine making, wine consumption and even a little about what wines appeal to me (emphasis here) with what foods.  I am no food and wine paring expert and all I really care about in this vein is to get people to try some food and wine and see what they like.

What does all this have to do with writers block?  Well not a lot I suppose but it does help explain mine.  With all this trove of new wines to try came a conundrum.  I grew up under the Thumper Principal (from Bambi for those of you old enough to remember) – “If you can’t say something nice don’t say anything at all”.  Simply I am struggling with many of the wines I selected and how to write about them in a positive way.  Somehow “ this wine is really ordinary and okay but overpriced for what you get” isn’t worth printing and fundamentally inconsistent with my upbringing.  Also wine is a funny thing, it can be off because of bad bottling, it can be corked (bacterial or fungal taint), it can simply be too young or to old, or poorly cared for (got to hot or to cold).   Slamming a wine because I didn’t like it or didn’t enjoy it as much as I thought I should would be unnecessarily harmful to a winery or winemakers reputation  After all they didn’t set out to produce and average wine, they put everything they had into making it and hoped it would be a good wine.  In addition it could be just my taste buds or circumstances outside their control that lead me to not like it.  Many of my latest acquisitions have fallen into that category.  Many of them I believe are simply too young to drink right now, and a good many seem very one dimensional.  I mean by that they taste flat and don’t let me see or make me want to look for interesting flavors or textures.  I guess they don’t meet my standards for reviewable wines.

In the end I concluded the height of my standards don’t let me put a “weekly wine” label on something that I just don’t think is special.  I am not talking $200.00 per bottle, Chateaux Laffite Rothschild special, I am talking about $10.00 to $25.00 special as being a good to great value for a fun sort of wine that folks can enjoy as a sipper, with food, or just with friends on an evening out.  So here it is, When I find wines worth of “The Weekly Wine”, I’ll write about them.  In the interim you will find me working away on some of the back page of the blog, Varietals, Ordinary reviews and most of all expanding the lexicon so that wine words don’t mystify me or my readers.  I’ll also be continuing the “Wine Regions of the World” feature and just writing about other stuff – Like Writers Block for a Wine Reviewer.

Posted in Craft Wines, Life Balance, Production Wine, Whimsy, Wines, Words, Writing | Tagged , , , | 8 Comments

Wine Regions of the World – Mendoza

I’ve been an admirer of Poor Robert’s Almanac for a while so I was incredibly honoured when Robert himself asked me to write about Argentina’s most famous wine region, Mendoza, and the fabulous wines it produces. I currently work in wine in Argentina and write (mostly) about Argentine wine on my blog, the Wine Culturist, so feel free to hit me with any tricky wine questions you have!

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Stunning backdrop of the mighty Andes, a common sight in Mendoza. Image Source: xxxx via flickr / CC BY-SA 3.0 

 

Snuggled up against the Andes mountain range which marks the border with Chile, the province of Mendoza is known as the “Land of Good Sun” for its 330 annual blue sky days. This is the powerhouse heartland of Argentine wine production which churns out some 70% of the country’s wine. If you haven’t been living under a rock for the past few years you’re no doubt familiar with the region’s hearty Malbec which pairs beautifully with Argentina’s equally famous exquisite steaks.

What you may not know, though, is that the area devoted Malbec plantings is only 32% of Argentina’s total red wine acreage. Growing alongside their domineering sibling are Bonarda, Cabernet Sauvignon and Syrah which bring refreshing diversity to Mendoza’s vinous offerings. Recent years have also seen a proliferation of Malbec styles. Winemakers are deviating from the stereotypical weighty and powered-up Mendoza Malbec to produce lighter, more elegant styles and high-potential blends.

Malbec originally hails from Cahors in France where it produces wines of a rather more inky, tannic nature, but it was only fairly recently that winemakers picked up on the wide range of possibilities offered by Mendoza’s unique terroir. European vines were introduced to the region by priests who accompanied the Spanish conquistadors who founded the city of Mendoza in 1561, but the industry really took off with the nineteenth century arrival of immigrants from Italy, France and Spain who turned their hand to making wine.

It was a Frenchman, Aimé Pouget, who brought Malbec and other French grape varieties to the area to see which would suit local conditions. For many years the industry was dominated by mass-produced table wines, but the work of individuals like Raúl de la Mota at Bodegas Weinert and Nicolás Catena at Bodega Catena Zapata during the twentieth century prepared the way for Mendoza’s Malbec to burst onto the world stage.

So what makes Mendoza so special? For starters, this is a desert. The great Andes Mountains shield the region from the humid influence of the Pacific Ocean. In a typical year the winegrowing areas receive just 200mm of rain. Everything green around here, from vineyards to public parks, has been brought to life by sheer hard work. Building on practices first used by indigenous peoples, a huge network of irrigation channels brings Andean meltwater directly to grape and fruit growers as well as into the city of Mendoza itself. So think about that, next time you tuck into a juicy Argentine Malbec – it’s only thanks to that Andean snow in the glass that wine can be made here at all.

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Andean meltwater in the Río Mendoza. Image Source: Dario Alpern via Wikipedia / CC BY-SA 3.0

As well as the hot, dry conditions, the influence of altitude is also at play here. The highest vineyards are to be found in the prestigious Uco Valley where they can reach up to nearly 1700m. This gives a diurnal temperature range (the difference between maximum daytime and minimum night time temperatures) of up to 20 degrees Celsius, higher levels of UV radiation, and more intensity of sunlight. Soils here tend to be alluvial or “pavimiento del desierto” (desert pavement) which consists of rocks and sand. These factors combine to produce excellent wines which boast decent acidity, wonderfully rich fruity and spicy aromas, and soft, rounded tannins. Little wonder, then, that the Uco Valley is home to many of the country’s top producers including Achaval Ferrer, Andeluna, Salentein and Catena, while the famous winemaking consultants Paul Hobbs, Alberto Antonini and Michel Rolland all buy grapes from here or have investments in the area.

Feeling thirsty yet? Let’s finish up with a few bottles which for me really encapsulate the sheer diversity and deliciousness of the Mendoza wine scene.

Emma Zuccardi Bonarda 2014

Bonarda is Argentina’s big hidden secret. It’s the country’s second most produced black grape variety. It used to be widely used for bulk wines, but it’s currently gaining a great reputation as a single varietal. This Uco Valley Bonarda by big name wine producer Familia Zuccardi is a great example of the variety; luscious dark fruit and savoury and smoky notes topped off with fresh acidity and pleasant tannins.

Sur de los Andes 2012 Gran Reserva Cabernet Sauvignon

Proof that Mendoza can also do great Cab, this is an impressive full-bodied wine with enticing jammy plum, chocolate and dried fruit flavours.

Rutini Trumpeter Chardonnay 2015

Moving on to a more wallet-friendly wine, this Chardonnay from the mighty Rutini makes for really easy drinking. There’s some vanilla and toast from the oak, but the palate is dominated by tropical fruit like sweet melon and banana.

Bodega La Azul Reserva 2014

Bodega La Azul is a tiny winery in the Uco Valley which only produces around 10,000 bottles of this wine, so attention to detail and quality are very high. It’s also a gorgeous winery to visit if you ever find yourself in Mendoza! This is a gorgeous blend of Malbec and Cabernet Sauvignon with intense cherry and red berries followed by a touch of black pepper, vanilla and chocolate.

Felino Malbec Viña Cobos 2014

My last selection had to be a Malbec, but narrowing it down to just one bottle was a pretty stressful choice. There are hundreds of fantastic examples out there, from lighter, elegant styles to the classic bold, fruit-forward nectar that put Mendoza on the world wine map. This Malbec won out because it offers great value and also happens to be made by the great American winemaker, Paul Hobbs, alongside his talented Argentine partners Andrea Marchiori and Luis Barraud at Viña Cobos. Black plum and dark berries dominate the nose with subtle notes of vanilla, graphite and rosemary. Tannins are soft and meltingly smooth and the finish is impressively long. Pair this with a nice steak and you’ll be besotted.

What’s your favourite Malbec? Let us know in the comments!

 

Posted in Alice Longhurst-Jones, Argentine, Malbec, Mendosa, Wine | Tagged , , , , , | 8 Comments

Coming Soon To a Wine Blog Near You.

I told you a few weeks ago that I would be changing up the character of  Poor Robert’s (Wine) Almanac to give it a new and more exciting look and feel.  I wasn’t talking about giving it a new visual theme, although you never know, that may happen eventually, I am building in new features and more exciting information about the world of wine.  Starting tomorrow or perhaps Thursday, Poor Robert’s will inaugurate a new monthly (or there abouts) column I call “Wine Regions of the World – (region name)” written by wine people who actually live and work in those parts of the world.  Based on the successes of my periodic re-blogs of other peoples writing, I figured that you might be tired of hearing from me all the time and that introducing a World View Cadre of Authors (direct contributors) would be just the ticket.

So (drum roll please) the first of the new columns – Wine Regions of the World – Mendosa) will be authored by a world class blogger you’ve already met twice – The Wine Culturist herself, Alice Longhurst-Jones.

Posted in Alice Longhurst-Jones, Argentine, Craft Wines, Hodgpodge, Malbec, Mendosa, Wine, Wine Making, Wine Tasting, Winemakers, Words | Tagged , , , , , , , , | 6 Comments